Nicolò Degiorgis

E se l’orizzonte non fosse il confine?

September 20 - December 1, 2023

Galleria Eugenia Delfini is pleased to present  E se l’orizzonte non fosse il confine? [What if the horizon was not a border?] Nicolò Degiorgis's first solo show at the gallery. Degiorgis's works comprise books, photos, collages, videos, maps and documents that chart conceptually the territory and the communities where he lives.

E se l’orizzonte non fosse il confine? offers an artistic reflection to the theme of migration and deals with deterritorialized identities, bodies in transition and subjectivities that flee, cohabit, transit and hybridize on borders.

Inside the exhibition, a series of photographic works raise questions on the migration crisis in Europe and the difficulties of the European Union in providing community policies. Degiorgis deals with the idea of the other, of the different and of the foreigner, focusing on themes such as the sense of belonging, the concept of border and distance. To do this, the artist moves between archiving, photographic documentation and editorial projects and proposes processes that question the use of images within media channels.

read more

Galleria Eugenia Delfini is pleased to present  E se l’orizzonte non fosse il confine? [What if the horizon was not a border?] Nicolò Degiorgis's first solo show at the gallery. Degiorgis's works comprise books, photos, collages, videos, maps and documents that chart conceptually the territory and the communities where he lives.

E se l’orizzonte non fosse il confine? offers an artistic reflection to the theme of migration and deals with deterritorialized identities, bodies in transition and subjectivities that flee, cohabit, transit and hybridize on borders.

Inside the exhibition, a series of photographic works raise questions on the migration crisis in Europe and the difficulties of the European Union in providing community policies. Degiorgis deals with the idea of the other, of the different and of the foreigner, focusing on themes such as the sense of belonging, the concept of border and distance. To do this, the artist moves between archiving, photographic documentation and editorial projects and proposes processes that question the use of images within media channels.

read more

Interferenze by Sara Dolfi Agostini

In his novel Exit West, the Anglo-Pakistani writer Mohsin Hamid portrays migration as a pervasive, inexorable phenomenon capable of constantly reconfiguring the world. In order to migrate, it is necessary to walk through different “doors”, which are everywhere, but while those in poor countries are accessible to everyone, those in rich countries are militarily manned. The border between rich and poor, stable and dangerous, is thin, if not negligible, until the moment when everything changes.

read more

Interferenze by Sara Dolfi Agostini

In his novel Exit West, the Anglo-Pakistani writer Mohsin Hamid portrays migration as a pervasive, inexorable phenomenon capable of constantly reconfiguring the world. In order to migrate, it is necessary to walk through different “doors”, which are everywhere, but while those in poor countries are accessible to everyone, those in rich countries are militarily manned. The border between rich and poor, stable and dangerous, is thin, if not negligible, until the moment when everything changes.

read more
magnifiercrossmenuchevron-leftchevron-right linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram