Group Exhibition

Collateral Histories

March 1 - May 3, 2024

Galleria Eugenia Delfini is pleased to present Collateral Histories, a two-person exhibition by artists Giulia Parlato (1993, Palermo) and Giovanna Petrocchi (1988, Rome).

The exhibition features, as part of a single installation, some digital collages by Petrocchi from the Magic Lanterns series (2020-ongoing), some analogue photographs by Parlato from the Diachronicles series (2019-2022) and an unpublished corpus of black and white photomontages and 3D objects belonging to the Collateral Histories series realized in collaboration between the two artists in 2020 starting from a commission from Art Licks Magazine.

The selected works question the relationship between photography, historical narration and museology through the exploration of documentary photography but also of photographic collage and some 3D printed objects.

read more

Galleria Eugenia Delfini is pleased to present Collateral Histories, a two-person exhibition by artists Giulia Parlato (1993, Palermo) and Giovanna Petrocchi (1988, Rome).

The exhibition features, as part of a single installation, some digital collages by Petrocchi from the Magic Lanterns series (2020-ongoing), some analogue photographs by Parlato from the Diachronicles series (2019-2022) and an unpublished corpus of black and white photomontages and 3D objects belonging to the Collateral Histories series realized in collaboration between the two artists in 2020 starting from a commission from Art Licks Magazine.

The selected works question the relationship between photography, historical narration and museology through the exploration of documentary photography but also of photographic collage and some 3D printed objects.

read more

Hidden in the details by Elisa Medde

The beginning of critical elaboration is the awareness of what really is, that is, a "knowing yourself" as a product of the historical process that has taken place so far which has left in oneself an infinity of traces accepted without benefit of inventory. Such an inventory must be made initially.

read more

Hidden in the details by Elisa Medde

The beginning of critical elaboration is the awareness of what really is, that is, a "knowing yourself" as a product of the historical process that has taken place so far which has left in oneself an infinity of traces accepted without benefit of inventory. Such an inventory must be made initially.

read more
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