Giorgio Di Noto

Born in Rome in 1990, he holds a bachelor’s degree in Philosophy and has studied photography and darkroom printing. His research focuses on the relationship between photographic processes and visual language, using materials and printmaking techniques as tools for creation and translation to explore the virtuality and materiality of images.

In 2012, his self-published book The Arab Revolt was included in The Photobook: A History, Vol. III by Martin Parr and Gerry Badger. The project was exhibited during Paris Photo and later acquired by the J.F. Menschel Photography Library Fund at the Metropolitan Museum of Art in New York.

Following his research on the Dark Web and experimentation with alternative printing techniques, he published The Iceberg (Edition Patrick Frey) in 2017. The book received a special mention for the Author Book Award at the Rencontres d’Arles 2018 and was a finalist for the Prix Bob Calle du Livre d’Artiste.

In 2021, he took part in the group exhibition "Retrofuturo" at the MACRO Museum in Rome. In 2024, he was selected by CAMERA as one of the artists in the European program "Futures". In 2025, he presents a solo exhibition at the National Roman Museum, Palazzo Massimo, featuring a project focused on the museum’s archives and storage collections.

He lives and works in Rome, where he teaches Photography, History and Techniques of Printing Processes, Photography for Cultural Heritage.

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Selected Artworks

the appearance of nearness (#2), 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 26 x 32 cm. Ed. 1/3 + 1 AP
the appearance of nearness (#8), 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 42 x 52 cm. Ed. 1/3 + 1 AP
the appearance of nearness (#7), 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 42 x 52 cm. Ed. 2/3 + 1 AP
the appearance of nearness (#6), 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 42 x 52 cm. Ed. 1/3 + 1 AP
the appearance of nearness (#5), 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 42 x 52 cm. Ed. 1/3 + 1 AP
the appearance of nearness (#4) 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 32 x 47 cm. Ed. 1/3 + 1 AP
the appearance of nearness (#3), 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 32 x 47 cm. Ed. 1/3 + 1 AP
the appearance of nearness (#1), 2025. Inkjet print on film with manual silvering on the back, encapsulated between two museum glasses, raw iron frame, 26 x 32 cm. Ed. 1/3 + 1 AP
Untitled (Sun, aerofototeca), 2026. Inkjet print on fine art cotton paper, wooden frame, museum glass, 118,5 x 153,5 cm. Ed. 1/3 + 1 AP
Hidden Collections (peso in bronzo con maschera), 2025. Inkjet print on fine art cotton paper, wooden frame, museum glass, 76 x 106 cm. Ed. 1/3 + 1 AP
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