Diana Anselmo (1997, Palermo) is visual artist, performer and author Queer (him) and Deaf, activist.
Through his research, he re-elaborates and interweaves documents from historical archives, imagery related to his own body and semantic-visual symbolism to make Deaf culture a field of aesthetic research. In all the fields in which he moves – performing arts, visual arts, activism – there is the intention to question hearing systems of discrimination, regimes of aurality imposed by the hearing world and medicalization techniques that have fueled forms of control over the deaf body.
Anselmo has performed and exhibited in national and international institutions including in Rome at the MAXXI, Goethe Institut, Short Theatre; in Turin at the Fondazione Sandretto Re Rebaudengo, Torinodanza festival, Exposed Festival, CAMERA; in Milan at the Triennale, DANAE Festival, BASE; MART, Rovereto; Scuola Piccola Zattere, Venice; Edinburgh Fringe Festival; Riksteatern Crea Stockholm; International Visual Theatre Paris and the Italian Cultural Institute of Paris; Centre d’Art Contemporain, Geneva; Culturgest, Lisbon; Synergeio Performing Arts Center, Cyprus; Theaterformen, Hannover.
Recently, his personal show at Galleria Eugenia Delfini Anselmo has been reviewed on Artforum and this summer/fall he will present his latest performance Pas Moi at the Santarcangelo Festival and the 57th annual CIMAM conference.
Diana Anselmo (1997, Palermo) is visual artist, performer and author Queer (him) and Deaf, activist.
Bilingual LIS and Italian, his artistic production sees him involved in the European scene as an author, performer, panel speaker, mentor, co-curator, accessibility manager.
Anselmo reworks and interweaves documents from historical archives, imagery related to his own body and semantic-visual symbologies to make Deaf culture a field of aesthetic research. In all the areas in which he moves – performing arts, visual arts, activism – there is an intention to question audist systems of discrimination, regimes of aurality imposed by the hearing world, and medicalized techniques that have fueled forms of control over the Deaf body.
As a performer Anselmo debuted in 2021 with his first lecture-performance Autoritratto in tre atti, presented to date in more than thirty national and international institutions including MAXXI, Rome; MART, Rovereto; Goethe Institut, Rome; CAMERA and Lavanderia a Vapore, Turin; Culturgest and Casa da Música in Lisbon and Porto; Synergeio Performing Arts Center in Cyprus, and in Festivals such as Gender Bender, Bologna; Orlando Festival, Bergamo; Theaterformen in Hannover.
In 2022 he was invited by the French choreographer Xavier Le Roy to perform his new show Le Sacre du Printemps at the Sophiensæle in Berlin in a trio with Scarlet Yu and Alex Achour. In the same year Anselmo created You Have to Be Deaf to Understand, a show with three Deaf performers entirely in Visual Sign (a poetic form typical of sign languages) with which he performed in various international sign venues including Riksteatern Crea, Stockholm; International Visual Theatre – IVT, Paris.
In 2023 was the year of his lecture-performance Je Vous Aime – a performance for hearing people, a multimedia work that unfolds between verbal storytelling (ITA and LIS) and elements of Visual Sign, presenting it at the TSA Teatro Stabile d’Abruzzo and TPP Teatro Pubblico Pugliese, as well as at various festivals such as DANAE, Milan.
In 2024, the Fondazione Sandretto Re Rebaudengo in Turin curated his first solo exhibition as a visual artist starting from the archive research carried out for the performance Je Vous Aime (from which the exhibition takes its name). In the same year, Anselmo started a collaboration with the choreographer and dance-maker Cristina Kristal Rizzo, with whom he co-authored the dance show Monumentum DA, which after an initial study presented at MilanOltre, Milan, toured in its complete form at Festivals such as Torino Danza, Turin; Short Theatre, Rome; Asteroide Amor, Venice.
In 2025, Anselmo will debut at Santarcangelo Festival with the performance Pas Moi.
Finally, Anselmo is accessibility manager and Deaf Cultural Advisor for various cultural institutions and festivals in Italy, such as Oriente Occidente Dance Festival in Rovereto and Spazio KOR in Asti. He is also one of the co-founders and now president of Al.Di.Qua. Artist, the first professional association in Europe of and for disabled artists, with a focus on advocacy for accessibility in the artistic field, for which he participated as a speaker at various European festivals such as IntegrArt, Switzerland; DansFunk, Sweden; Holland Dance Festival, Netherlands, European Network of Cultural Centres, Lithuania.
(b. 1997, Palermo - IT)
Visual artist, performer and author Queer (him) and Deaf, activist.
Bilingual LIS and Italian, his artistic production sees him involved in the European scene as an author, performer, panel speaker, mentor, co-curator, accessibility manager.
EDUCATION
2021- Master's Degree in Theatre and Performing Arts, IUAV University of Venice
2020 Activism and Social Movements, Duke University
2020-2021 Master GIS - Social Enterprise Management, EURICSE Research Foundation
2017-2019 Bachelor's Degree in Sociology, University of Trento
SOLO AND GROUP SHOWS
2026 Pini Art Prize, Fondazione Pini, Milan
2026 R.S.V.P, Scuola Piccola Zattere, Venice
2025 Iperfamiglie, IX Edizione Straperetana, a cura di Monitor Gallery, Pereto
2024 deafnotdead, Galleria Eugenia Delfini, Rome
Je Vous Aime, Fondazione Sandretto Re Rebaudengo, Turin
PERFORMANCES
2025 Pas Moi
Performers: Diana Anselmo, Daniel Bongioanni, Antonio Dominelli
Dramaturgy: Piersandra di Matteo
Presented at: TheaterFormen Festival, Hannover (2025); Santarcangelo Festival (2025); Gessnerallee Zürich (2025); Fuorimargine Sardegna (2025); Danae Festival Milano (2025).
2024 Monumentum D.A.
Dance Performance by and with Diana Anselmo & Cristina Kristal Rizzo
Presented at: MilanOltre; CTONIA Festival; Cango; Sardegna Teatri; Armunia Festival; Short Theatre; Torino Danza; SUPERNOVA Festival; Pergine Festival; DanzaEstate Bergamo; T-Danse Aosta; Triennale Milano; Fondazione Teatro Grande Brescia; Gender Bender Festival; Teatro perto Reggio Emilia; La Cartiera; Spazio KOR (2026).
2023 Je Vous Aime – una performance per gli udenti
Lecture-performance by and with: Diana Anselmo
Performers: Diana Anselmo e Sara Pranovi
Presented at: Lachesi LAB (2023); ORME Festival Lugano Rami d'Ora, Fertili Terreni Teatro; Ctonia; EXPOSED Festival (2024); Orlando Festival; TSA Teatro Stabile d’Abruzzo, Danae Festival; Cabiria Teatro; TPP Teatro Pubblico Pugliese (2025); In/Visible Cities Festival; Istituto Italiano di Cultura di Parigi, Scuola Piccola Zattere, Ecate Milano; SLASH Festival; Periferico Festival, FAROUT FESTIVAL, Festival Segni, Wonderland Festival.
2022 You Have to Be Deaf to Understand
Performance in Visual Sign by and with: Diana Anselmo
Performers: Diana Anselmo, Daniel Bongioanni e DMK
Presented at: Commutniy Festivalin Lisbona (2022); Edinburgh Fringe Festival Edinburgh; Vapore d'Estate; Riksteatern Crea Stockholm; Festival AREAREA (2023); SPAZIO KOR; International Visual Theatre Paris (2024); BASE Milano; Performatorio (2025); Prima Onda Festival; Umbria Factory Festival; Festival SEGNI; Festival Interazioni; Tedacà.
2021 Autoritratto in 3 atti
Lecture-performance by and with: Diana Anselmo
Presented at: Orlando Festival (2021), Festival del Silenzio, Nessuno Resti Fuori Festival, Lo Sguardo del Gatto Festival, Festival TENSIONI, Standards Studio, Museo MAXXI (2022), Galerija Matice srpske Novi Sad, Malefiqa Festival, INTERAZIONI Festival, Danae Festival, Lavanderia a Vapore (2023), ORME Festival Lugano; Pàn Festival, Goethe Institut Roma, Springbreak Aerowaves; FLIC Festival; Gender Bender, Palazzo di Regione Lombardia; Centro di fotografia CAMERA; Culturgest Lisbon (2024); MAXXI Museum; Theaterformen Hannover ; Sherocco Festival, MART Museum; Evergreen Festival; SLASH Festival; PerFormazione Sociale; Casa da Música Porto; InsideQueer; Festival SEGNI; Scuola Piccola Zattere Synergeio Performing Arts Center; Centre d’Art Contemporain Genève (2025), Allegro con Brio Verbania, Varese Pride.
TALK AND WORKSHOP
2025
Scuola Piccola Zattere - workshop “Dovunque Siamo è Al.Di.Qua."
Università degli Studi di Verona - talk "Corpi che Contano"
SoHo House, Roma - talk con Bernardo Follini e Binta Diaw
IUAV, Venezia - seminario “Listening Through the Bones” with Piersandra di Matteo
Associazione Zeit Villacidro - with Attila Favarelli
Accademia di Belle Arti di Firenze - seminario su invito di Pantani e Surace
Scuola Piccola Zattere - talk “Unfinished Business” con Tomasz Kireńczuk, Anna Mülter, Irene Calderoni, Piersandra di Matteo, Edoardo Lazzari
Universal Art Design, Polonia Torùn, conducente del workshop “Corpi che Contano" su invito del Teatro Stabile del Veneto
Lago Film Festival, Treviso - talk e giuria
Le Alleanze dei Corpi, Milano - workshop “Corpi che Contano”
Mica Macho, Milano - workshop “Corpi che Contano”
BAM Biblioteca degli Alberi di Milano - conducente del workshop “Corpi che Contano”
CIMAM 57t annual Conferente, Torino - talk su invito di Bernardo Follini
2024
MART, Rovereto - DICEMBRE Speaker del panel
IUAV, Venezia – conducente del workshop “Forte Forte” con CKR
Museo MACA, Mantova – conducente del workshop “Segni Propri”
Zona K, Milano – talk con Daniele del Pozzo (Gender Bender) post performance “Je Vous Aime”
Teatro Curci, Barletta – speaker all’International Pop Meeting “InsideQueer”
Teatro Piccolo Coccia, Novara – talk post performance “Je Vous Aime”
Fondazione Sandretto Re Rebaudengo, Torino – talk post performance “Urla Silenziose”
Decauville II, Sondrio – talk post performance “Freak Out!!!”
Fondazione Sandretto Re Rebaudengo, Torino – guida in LIS alla mostra “Je Vous Aime” per il pubblico Sordo
Short Theatre, Roma – talk in dialogo con Piersandra di Matteo “Contro-acustica: per il diritto alla Lingua dei Segni”
Sherocco Festival, Ostuni – conducente del workshop “Segni Propri”
Oriente Occidente Dance Festival, Rovereto - conducente del workshop “Forte Forte” con CKR
European Network of Cultural Centers, Riga (Lettonia) - Speaker del panel "Tracing the trails"
Fondazione Sandretto Re Rebaudengo, Torino – conducente del laboratorio “Let’s Talk and Sign”
Zamek Cultural Center, Zamek (Polonia) – EBA’s curatorial meeting
International Visual Theater IVT, Parigi (Francia) – signer al Sign Language Art Symposium
IUAV, Venezia – talk in dialogo con Piersandra di Matteo “Contro-acustica 1”
Culturgest, Lisbona (Portogallo) – conducente del workshop “Segni Propri”
CAMPUS, Porto (Portogallo) – conducente del workshop “Segni Propri”
BASE Milano, Milano – speaker della giornata “Desireside: residenze transdisciplinari, pratiche e modelli a confronto”
Fondazione Franco de Marchi, Rovereto – formatore sull’accessibilità nella giornata “Formazione dei Manager Territoriali”
2023
Fondazione Museo Storico del Trentino, Trento – speaker per il programma “Il Filo della Scelta”
Spazio KOR, Asti – talk post performance “You Have to Be Deaf to Understand”
Festival Danza Estate, Bergamo – conducente del workshop “Segni Propri” con Ariside Rontini
BASE Milano, Milano – speaker della giornata “Un’I.D.E.A. di centro culturale”
Lo Stato dei Luoghi, Andria – speaker del panel “Com’è fatto uno spazio culturale accessibile?”
Ramificazioni Festival, Palmi – speaker della conferenza in occasione della performance “Freak Out!!!”
Cornelia, Napoli – speaker della conferenza in occasione della performance “Freak Out!!!”
FLIC Festival Lanciano in Contemporanea, Lanciano – conducente del laboratorio “Freak Out!!!”
Factor Hill, Bari – conducente del laboratorio “Freak Out!!!”
ArteMente, Milano – conducente del laboratorio “Freak Out!!!”
Fertili Terreni Teatro, Torino – formatore sull’accessibilità in ambito culturale con Al.Di.Qua.
Gender Bender, Bologna –formatore sull’accessibilità in ambito culturale con Al.Di.Qua.
The Blank Contemporary Art, Bergamo – intervista per Listen Project
Orme Festival, Lugano (Svizzera) – conducente del workshop “Dovunque siamo è Al.Di.Qua.” con Giuseppe Comuniello
TalkWithDance, online – moderatore del talk “Crip Time” con Stefania di Paolo e Alessandro Schiattarella
Lavanderia a Vapore, Torino – curatore della tre giorni “Carte Blanche”
Skissernas Museum, Lund (Svezia) – speaker durante il laboratorio di Mia Habib durante #LICA Lund International Choreography Assembly
IULM, Milano – speaker alla giornata “Moving Wor(l)ds”
Tedacà, Milano – conducente del laboratorio di cinque giorni “Urla Silenziose”
2022
UNITN, Trento – speaker al convegno nazionale “Le Disabilità in Movimento”
ConCuerpos, Bogotà (Colombia) – talk online in streaming con la compagnia
360° LIS, online – signer al talk online in streaming su “Sordità e Identità di Genere”
Riksteatern Crea, Stoccolma (Svezia) – signer al symposium “Sign Language Arts Night”
Dolomiti HUB, Belluno – speaker alla serata “Museo dell’Empatia”
Officina Meca, Ferrara – conducente del workshop “Segni Propri”
Maynooth University, Irlanda – intervista online per DANCING PROJECT
ARCI Bologna, online – talk online in streaming sulle sovrapposizioni fra sessismo e abilismo
Galleria d’Arte Moderna Ricci Oddi, Piacenza – speaker sull’accessibilità in ambito culturale insieme a Chiara Bersani
Fondazione Sandretto Re Rebaudengo, Torino – conducente del workshop “Dovunque siamo è Al.Di.Qua.” con Giuseppe Comuniello.
Brescia Pride, Brescia – speaker per il Brescia Pride 2022
Fattoria Indaco, Bologna – conducente del workshop “Segni Propri” con Ariside Rontini
AIDUS associazione, Ferrara – speaker sull’accessibilità in ambito culturale alla giornata anniversario “Cinque anni di inclusione”
Nuovo Cinema Sacher, Roma – speaker all’evento lancio del video-manifesto di Al.Di.Qua. Artists
Festival Orlando, Bergamo – formatore sull’accessibilità in ambito culturale con Al.Di.Qua.
Holland Dance Festival, Den Haag (Paesi Bassi – Speaker del panel "DanceAble Symposium"
2021
Altre Velocità, speaker della giornata “La Scena che Educa”
Festival della Violenza Illustrata, speaker dell’evento
Skånes Dansteater, Malmö – speaker del panel “Dance, activism and the inherent structures of ableism within the performing arts" nel contesto del Festival DansFunk
Teatro Momo, Mestre – laboratorio per bambinə “FILIS” con la danzatrice Isabella Moro e la mimo Susi Danesin
IntegrART, Zurigo (Svizzera) – speaker del panel "Rethinking Structures"
ConCorto Festival, Piacenza – speaker del panel sull’accessibilità in ambito culturale
Nessuno Resti Fuori Festival, Matera – speaker ad un tavolo sull’accessibilità in ambito culturale
Santarcangelo Festival, Santarcangelo – speaker nel panel di “Campo Innocente” e prima presentazione pubblica di Al.Di.Qua. Artists
Nessuno Resti Fuori Festival, Matera - conducente di un workshop di quattro giorni "Dovunque siamo è Al.Di.Qua" con Giuseppe Comuniello
SELECTED PRESS
Artforum, Ida Panicelli, Aprile 2025
Juliet, Giovanni Crotti 11 feb 2025
Artribune, Beatrice Andreani 6 feb 2025
Exibart, Davide Fontana 30 gen 2025
Il Manifesto, Nicolas di Martino 30 gen 2025
ReWriters, Marianna d’Ovidio 24 gen 2025
Culture Future, Giada Ciavattella 20 gen 2025
Operaviva, Piersandra di Matteo 19 dic 2024
The Good Life, Cecilia Falcone 16 dic 2024
La Stampa, Francesca Rosso2 o tt 2024
Eolo rivista di Teatro Ragazzi, Samuel Zucchiati 26 sett 2
Vanity Fair, Valeria Vantaggi 5 sett 2024
Teatroecritica, Stefano Tomassini 2 lug 2024
La Repubblica, Maura Sesia 14 lug 2024
Il Sole 24 Ore, Roberto Giambrone 8 lug 2024
Paneacquaeculture, Matteo Brighenti 8 lug 2024
Corriere della Sera, Rossella Menna 28 lug 2024
Mediapress24, Daniele Cardia 25 giu 2024
ATP Diary, Barbara Ruperti 2 mag 2024
ELLE Decor, Maria Chiara Valacchi 18 mar 2024
Krapp LastPost, Francesca Maria Rizzotti 31 ott 2023
PUBLICATIONS
2024
High Pitch Magazine, “Audism and the Origins of Cinema: a Conversation between Bernardo Follini and Diana Anselmo”
Eye To Eye, “Je Vous Aime”
2022
AG About Gender, “Giornate di sole dall’Al.Di.Qua: tra disabilità e genere”
Selected Artworks












Exhibitions